The deluge, which rose as high as 20 feet above the street in some locations, left 33 Florentians dead and 5, families homeless.
Short-term rescues were one thing; the long-term restoration task was far more daunting. When the flood came, this year-old work was stored on a ground floor.bbmpay.veritrans.co.id/sant-hiplit-de-voltreg-chicos-solteros.php
Dark Water: Art, Disaster, and Redemption in Florence (Paperback)
The debate over how to repair a half-destroyed work of art is one of the more fascinating aspects of this book. Art restoration takes decades, and the politics of who gets to do what and get paid handsomely for it are byzantine and not that compelling. We can only hope.
Share story. In the same way that 3D and widescreen formats such as Cinemascope were partly a response to the threat of television in the s, so the rise of quality TV, Netflix and other streaming sites —and quality TV screens to watch it all on — has pushed movies towards the big-budget, special-effects end of the market. This is of course where they started: cinema began as a fairground attraction; it was only later it came to be considered an art form. This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase.
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- Dark Water : Flood and Redemption in the City of Masterpieces by Robert Clark (2008, Hardcover).
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- Flood and Redemption in Florence–The City of Masterpieces.
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- Dark Water: Art, Disaster, and Redemption in Florence (Paperback) | Changing Hands Bookstore;
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Facebook Twitter Pinterest. Soon manhole covers in Santa Croce were exploding into the air as jets of water began shooting out of the now overwhelmed sewer system.
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Cellars, vaults, and strong-rooms were filling with water. By then the water was moving at forty miles per hour at a height of twenty-four feet. At a. The Piazza Santa Croce was under twenty-two feet of water.